Groove Metal

Machina Kore – Ghosts of Everest Review

Machina Kore – Ghosts of Everest Review

“Identified as “Groovy Power Metal” in our promo bin, Irish independents Machina Kore promise something that pushes past genre convention while still delivering high-octane, high-quality steel. With their latest release, entitled Ghosts of Everest, Machina Kore offer up ten tracks (two of which are remasters of earlier single releases) across roughly an hour—fairly standard if we use power metal as a baseline. Thematically, Ghosts of Everest tackle an emotional subject matter largely surrounding the highs and lows of life as brought on by both forces beyond control and our own actions/reactions, and of resilience and growth only ever manifested by perseverance. The question remains, would a release like Ghosts of Everest persevere in the midst of a crowded field of steely wares?” Groove is in the heart.

Mawiza – ÜL Review

Mawiza – ÜL Review

Mawiza, an indigenous band from Wallmapu, a territory out of South America’s Mapuche Nation (spanning Chile and Argentina), has seen a sudden rise in recent years. Formed in 2014 as Nunca Seremos Dichosos, their second album, 2019’s Kollong, would go on to win them Chile’s version of the Grammy awards (called the Pulsar Award) for Best Metal Artist. In 2021, they adopted the name Mawiza and decided to sing entirely in their ancestral language, Mapuzungum, instead of Spanish.” Death grooves.

AMG’s Unsigned Band Rodeö: Kalaveraztekah – Nikan Axkan

AMG’s Unsigned Band Rodeö: Kalaveraztekah – Nikan Axkan

“AMG’s Unsigned Band Rodeö” is a time-honored tradition to showcase the most underground of the underground—the unsigned and unpromoted. This collective review treatment continues to exist to unite our writers in boot or bolster of the bands who remind us that, for better or worse, the metal underground exists as an important part of the global metal scene. The Rodeö rides on.” Get in the death groove.

Byzantine – Harbingers Review

Byzantine – Harbingers Review

“Defiantly resilient and deeply underappreciated, West Virginia’s Byzantine bring oodles of class and credibility to the often-maligned groove metal game. Their brand of accessible, slick modern metal has seen the Byz lads cultivate a consistently solid career, kicking twenty twenty-plus years ago. Enduring line-up shuffles, break-ups, record label shenanigans, and health concerns, it’s remarkable the 2025 version of Byzantine remains alive and well. Harbingers signals the fourth Byzantine LP since their second coming over a decade back, seventh overall, and first full-length offering since 2017’s solid The Cicada Tree release.” Ornamental progumentus.

Volbeat – God of Angels Trust Review

Volbeat – God of Angels Trust Review

Volbeat is one of those rare heavy metal bands that can ascend music charts and see mainstream radio play without sacrificing their core sound. They don’t resort to covers of classic songs (Disturbed, Five Finger Death Punch) or write power ballads (Staind) to achieve popularity. People love them because they sound uniquely like themselves. I first heard Volbeat about twelve years ago on my local rock station. This was when singles from Outlaw Gentlemen & Shady Ladies were dominating the airwaves, and I was amazed by the energy of the performances. However, the problem with popularity is that bands often play it safe in order to broaden their audience.” Goats, vols, and making friends.

Machine Head – UnatØNed Review

Machine Head – UnatØNed Review

“If you take a step back—maybe a big one—Machine Head’s career is a rollercoaster ride through hell. And not always in a good way. After getting off to a good start and dropping two of their best records, dark clouds began to gather. The Burning Red rain came down on our heads, and the floods of the Supercharger drove torrents of radio-friendly, rap-metal destruction through the streets. Yet, they overcame and rebuilt, marching Through the Ashes of Empires and, ‘Clenching the Fists of Dissent,’ putting The Blackening on ‘From This Day’ forever. Or so we thought.” Head games.

SpiritWorld – Helldorado Review

SpiritWorld – Helldorado Review

SpiritWorld’s lone appearance ’round these here parts, like any good vigilante, is an entry in the 2022 AOTY list of then-n00b, now gone-but-never-unforgotten ItchyMenace for sophomore album Deathwestern. But guess what? There’s a new sheriff in town, and he’s mad as hell. So mad, he’ll riff you at sundown in front of the town hall at high noon, so say “yeehaw” and “howdy, pardner,” because that piano’s gon’ stop at the saloon because there’s a fire at the watering hole.” Jobs for cowboys.

Bloodywood – Nu Delhi Review

Bloodywood – Nu Delhi Review

“Indian nu-metal upstarts Bloodywood deserve every ounce of success they’ve garnered since their early days as a cover band. 2022’s Rakshak was a resounding proof of concept for the band’s original material, effortless and enthusiastic in its uplifting and wholesome messaging delivered through a smooth blend of Indian folk instrumentation and nu-metal aggression. Since then, Bloodywood rapidly gained recognition worldwide, acquiring a contract with Fearless Records, and even earning the distinction of first Indian metal act to hit Billboard charts. For many of our readers, that might spell an ill omen. But it leaves me overjoyed to experience what follow-up Nu Delhi has to offer.” Shiva between the ribs.

Lacuna Coil – Sleepless Empire Review

Lacuna Coil – Sleepless Empire Review

“Italian gothic metal/groove/hard rock outfit Lacuna Coil occupy a special place in my metallic upbringing. Comalies, the band’s third album—and their breakout release—was the very first CD I bought with my own money. It remains a staple in my rotation to this day, thanks to hypnotic blends of dour atmosphere and poppy hooks sharp enough to pierce the gray matter permanently. This disparate combination is what put Lacuna Coil on the map as a common gateway for new metal fans.” Sleepless in Italy.