Melodic Death Metal

Kalmah – 12 Gauge Review

Kalmah – 12 Gauge Review

It’s hard to imagine a modern metal without Finnish bands, isn’t it? These guys have been pushing the scene forward for quite a while after having burst onto it with such a forceful manner a decade (or more) ago. One of the bands that has been sadly overlooked in this process has been Kalmah. These guys, while popular, have often taken a back seat to bands like Ensiferum and Children of Bodom in the international scene. This is a shame, because at least The Black Waltz put everything that Children of Bodom ever put out to shame and they make some of the later Ensiferum stuff look pretty weak, as well. While For the Revolution was a pretty big letdown for many fans, Kalmah has returned in 2010 with a scorcher called 12 Gauge.

Aeternam – Disciples of the Unseen Review

Aeternam – Disciples of the Unseen Review

Egyptian metal is apparently a genre now! I didn’t have any clue! I just thought it was kind of a thing that Nile did. And then it was Nile and Behemoth. And then it was Nile, Behemoth and SepticFlesh. And now it’s Nile, Behemoth, SepticFlesh and Aeternam! I think that counts as a genre! So, that’s pretty cool in and of itself. Oh, and it turns out that Aeternam is pretty cool themselves, leading to a generally all around happy feeling for a few fleeting moments before the general irritants that keep me so angry all the time come crashing back in.

Eluveitie – Everything Remains (As It Never Was) Review

Eluveitie – Everything Remains (As It Never Was) Review

While not the first folk metal band to take the world by storm, Eluveitie has always been a bit of a unique thing in the folk metal scene. Really, the band has tremendous success when compared to other bands in the genre. After being picked up by Nuclear Blast, they’ve had three albums, big American tours (something that has only started recently for the genre) and become very well known and well loved among folk metal enthusiasts and just regular metal enthusiasts alike. Everything Remains (As it Never Was) is the band’s big third record from Nuclear Blast (5th total) and it is set to make a big metal splash.

Arsis – Starve for the Devil Review

Arsis – Starve for the Devil Review

In the new wave of technical, fast, melodic death metal bands that have been coming out in the last few years Arsis has stood alone with its professional blending of melodic death, technical death and thrash. Basically an instant success story from their first CD A Celebration of Guilt, the band has gone through a lot of line-up changes and has been out there pretty much consistently since their break in 2004. Starve for the Devil follows on the heals of 2008’s We Are the Nightmare and there are a lot of expectations to be met and surpassed with this new album.

Be’lakor – Stone’s Reach Review

Be’lakor – Stone’s Reach Review

Be’lakor is an Australian melodic death metal band that has been getting some serious attention in the underground despite the fact that much melodic death metal has pretty much been declared by the scene to be dead on arrival. I’d been reading about them for some time so I just wrote them a message on MySpace and the guys were cool enough to send me a copy to review. And I can see why they’re so eager to get their music out to the masses, it’s a bit like ear heroin.

Scar Symmetry – Dark Matter Dimensions Review

Scar Symmetry – Dark Matter Dimensions Review

I remember the first time I heard Scar Symmetry very clearly. I was checking out some stuff on MySpace when I saw that they were going to be playing the House of Metal festival and I was blown away. Not blown away with how good they are, though talented one cannot deny they are, but how sickly sweet their melodic stuff is. I sat their and listened to it with my mouth agape thinking “really? Does this pass for death metal these days? How are these guys not a Top 40 band?” The answer to that is actually quite obvious: instead of dropping the death metal vocals, these guys have blended death metal vocals in with what I think is probably the most pop sensible writing I’ve ever heard in a metal band.

Insomnium – Across the Dark

Insomnium – Across the Dark

Insomnium is one of those bands that rides on the border of melodic death metal and progressive rock, straddling the fence between good, solid heavy music and the proggy stuff that all the sadboy metal guys listen to. Those guys who secretly love The Cure and Depeche Mode and end up making stuff that sounds like newer Katatonia, Anathema or Amorphis. This isn’t really a critique, but it lets you know right off the bat where these Finnish melodic metallers are standing in reference to the never ending “is melody metal” war that seems to be going on these days.

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder – Deflorate Review

The Black Dahlia Murder is becoming a veteran band among this new wave of melodic American death metal/metalcore or whatever the hell you want to call it. To get this out of the way right away: I think that The Black Dahlia Murder has been treated unfairly by a metal community sad to see the disappearance of the old school metal guy anywhere except brutal death metal. Modern American metal has come to be dominated by short-haired, tattooed hardcore lookin’ kids who often have super diverse taste in music and have never donned a leather jacket or a goatee in their lives. These hardcore lookin’ dudes put on shows that have an energy that often times metal dudes lack in their own live performances, and they’re gaining notoriety with their blending of brutal death metal and stupid core breakdowns. The Black Dahlia Murder has been lumped in with these guys because of tattoos and plugs, but they are certainly not akin to these bands. No, The Black Dahlia Murder is easily one of the best melodic death metal bands the United States has ever produced and despite them sounding a lot like At The Gates plus blast beats, I think they do it very, very well and very consistently.