American Metal

Greyhawk – Warriors of Greyhawk Review

By Holdeneye on February 12, 2026 in Reviews, Hard Rock, Heavy Metal, Power Metal, 40 comments

“What a week this has been for Seattle-based, Hawk-themed, team-oriented activities! Not only did I just get to see my beloved Seattle Seahawks reach the precipice of American football via the most awesome post-season arc I could have possibly drawn up, but I also get yet another opportunity to cover my beloved hometown metal heroes, Greyhawk. I’ve written ad nauseam about how I found the band and their brand of hard-rocking traditional metal, and I’ve routinely gushed my appreciation for their commitment to mind-positivity. Yes, it is safe to say that I am a total fanboy. So, it was with a fair bit of trepidation that I sat down with Greyhawk’s third full-length album, Warriors of Greyhawk.” Et tu, Hawk Tuah?

Profane Elegy – Herezjarcha Review

By Thus Spoke on February 7, 2026 in Reviews, Atmospheric Black Metal, Black Metal, Blackened Death Metal, Melodic Black Metal, Post-Metal, 24 comments

“Herezjarcha—Arch-Heretic—is the sophomore of Pennsylvania-based Profane Elegy, who are determined to escape genre boundaries. Following the trajectory set by 2023’s When All is Nothing, it sees the co-existence if not coalescence of black and death metal, but also an atmospheric, ambient kind of doom, and only doubles down on each aspect. It’s not the first time a metal artist has claimed to eschew categorization, and many, if not most, modern artists in extreme subgenres borrow from less-extreme ones, and incorporate generous reverb. Profane Elegy’s claims, therefore, don’t excite special interest whether you’ve heard the debut or not; listeners dis/like their sound on its own terms.” Knowing profanity when you hear it.

Dyed in Grey – Harbinger Review

By ClarkKent on February 5, 2026 in Reviews, Death Metal, Progressive Metal, 27 comments

“For progressive death metal acts, the shadow of the masters, Opeth looms large. Yet some recent progressive death acts, like Iotunn, Tómarúm, and Dvne, have carved their own paths in the genre. When Dyed in Grey released their debut, The Abandoned Part, in 2013, Opeth was charting a course into pure prog sans death metal. I only mention Opeth because Dyed in Grey’s brand of prog death sees clear influences in the titans of the genre, though with a more technical, improvisational imprint.” Grey and fancy.

Agenbite Misery – Remorse of Conscience Review

By Andy-War-Hall on February 5, 2026 in Reviews, Black Metal, Noise Rock, Post-Metal, Sludge Metal, 65 comments

“Anyone who’s brushed against James Joyce’s modernist classic Ulysses has almost certainly encountered the phrase “remorse of conscience” before. A pivotal theme of the novel, remorse of conscience refers to more than mere guilt over a perceived ethical failure but the misery inflicted by it, its weight and torment. In the days leading up to receiving Remorse of Conscience, the independent debut from New Hampshire’s genre-blending Agenbite Misery, a record informed by Ulysses and “steeped in grief, alienation and the search for meaning in modern life,” I was experiencing that eponymous turmoil myself.” Modern Hellenic disorientation.

Ritual Arcana – Ritual Arcana Review

By Saunders on February 2, 2026 in Reviews, Doom Metal, Hard Rock, Occult Rock, 10 comments

“while wading through the promo sump, I stumbled across the self-titled debut of fresh project, Ritual Arcana. Soon discovering this seasoned power trio feature none other than the legendary Scott ‘Wino’ Weinrich (Saint Vitus, The Obsessed, Spirit Caravan), wielding his scuzzed-up axe alongside Sharlee LuckyFree (ex-Moth) on bass and vocals, and drummer Oakley Munsen (The Black Lips).” Hobo Wino!

Vesseles – Home Review

By ClarkKent on January 31, 2026 in Reviews, Black Metal, Symphonic Metal, 24 comments

“In the metalverse, there are plenty of unique personas, and now we can count Valira Pietrangelo among them. She has been very open in interviews about suffering from identity dysphoria. As a result, she dove into making music and eventually discovering herself as a demon. What better way to express your newfound demonhood than through black metal? Everything about Vesseles (pronounced veh-sel-is) revolves around Pietrangelo’s identity.” Demons in the details.

Weft – The Splintered Oar Review

By Killjoy on January 25, 2026 in Reviews, Black Metal, Folk Metal, Progressive Metal, 30 comments

“Black metal and the violin go together like peanut butter and jelly, which makes it particularly exciting when an artist who is accomplished in both steps forward. Weft is the solo endeavor of Charlie Anderson, the live violinist for Panopticon. His debut album, The Splintered Oar, is one of two releases by Bindrune Recordings on the weekend before the beginning of Listurnalia 2025. Nevertheless, this is a record that should not go unnoticed during the time of year when many of us have adopted either a backward- or forward-looking mindset.” Black strings and negative feelings.

Temptress – hear Review

By Killjoy on January 23, 2026 in Reviews, Doom Metal, Stoner Metal, 20 comments

“The best things in life often happen organically. Temptress began in 2019 in Dallas, Texas, as three friends casually jamming together, and they had enough natural chemistry to decide to take their alluring stoner doom to the studio. Like someone who is well-versed in the art of seduction, they appear to be working their way through each of the five senses. Their debut full-length, see, was born in 2023, but now the time has come to close your eyes and hear what Temptress has conjured up for their sophomore record.” hear in the now.

AMG Goes Ranking – Megadeth

By Grin Reaper on January 21, 2026 in AMG Rankings, Thrash Metal, 162 comments

AMG ranks the vast discography of Megadeth in anticipation of their farewell magnum opus. Join with us!

Architectural Genocide – Malignant Cognition Review

By Alekhines Gun on January 18, 2026 in Death Metal, Reviews, 18 comments

“It’s gotta be tough being inspired by genre giants. For bands like Incantation or Autopsy, it can be hard to drink from their well without sounding like derivative, uninspired knockoffs. In the realm of brutal death, Suffocation unsurprisingly stands at the top of the corpse pile, with a sound that’s inspired offshoot after offshoot and triggered more permutations of listener-savaging than one can count. There was a period when “Suffoclone” was used as a term of mockery, and now time has looped back around to turning such a descriptor into a potential point of praise. Architectural Genocide have landed with their sophomore album Malignant Cognition, which unsurprisingly seeks to worship at the altar of the brutal death kings.” Brutalist constructions.